Chico Fellini has arrived...

If you live in Lexington, KY then you know Chico Fellini. You know Emily Hagihara’s bass, Brandon Judd’s drums, Duane Lundy’s guitar and Chris Dennison’s voice. Most definitely Chris Dennison’s voice.

Perhaps Lexington's most ambitious band since The Scourge of the Sea, Chico Fellini has been going full speed ahead since their inception in 2006. Shows haven't been abundant, yet they have spanned the country, with the band playing CMJ and any of the local and regional dives that were worthy.

Though they had been hard at work for over a year polishing and perfecting their sound, the band seemed to have truly come into their own through their preparation for and their performance at Lexington's Beaux Arts Ball in 2008 (they will reprise their victory with another set at this year's Beaux Arts!). Only one who has attended a Beaux Arts Ball can understand the magic that takes place there. It’s an alternate reality with everyone in a costume of their own making, engaging in what seems to be a nonstop dance party, with the drinks flowing freely… it's impossible to describe and a tragedy to miss. To imagine what it must be like on that stage with hundreds of the most devout fans that money couldn’t even buy, could blow one’s mind. The result skyrocketed Chico Fellini into the studio to finish writing and recording their super ambitious, self-titled debut album.

Chico Fellini consists of nine songs in total, running a mere thirty minutes in length. Though the album is brief, it packs an undeniable punch. Chris Dennison’s vocals are undoubtedly the star, ranging from operatic to soaring falsetto; Dennison covers the bases that no one else does. He seems able to channel a thousand genres with one note, creating a sound and style all his own. Dennison’s vocal style and range bring to mind some sort of androgynous alien being, whose goal is to simply rock our socks off! Imagine Antony Hegarty (of Antony and the Johnsons) at his weirdest, David Bowie at his most theatric, and Matthew Bellamy (of Muse) singing his hardest and you might have an inclination as to what Dennison is capable of.

Of course, Dennison is only part of the equation. Without his band, his voice would fall flat and thin, and that is what makes Chico Fellini such an impressive machine. No one can exist without the other. The four work together for one common goal; it is a dark, persistent, pulsing, and forever melodramatic goal, which they reach hand in hand. With Lundy’s piercing lead guitar, never too shy to make its way to the forefront, and the thundering, yet understated bass and drum work laying everything down and then keeping it all in check, no stone is left unturned.

Fact is, Chico Fellini is not for everyone. The androgynous but overt sexuality of these songs aren’t fit for the faint at heart and despite the fact that songs like “Despite The Mix Up” and “Electrolyte” are just as infectious as any current pop offering their non-traditional delivery and content will leave some folks scratching their heads. However, somehow I don’t think that appealing to the masses is anywhere near this band’s goal. Simply put, their quirks and theatrics will inevitably drive some away while endearing them to others. Which one are you?


Chico Fellini - self-titled

1. Despite The Mix Up
2. Electrolyte
3. Can’t Deny
4. Hot
5. Prelude
6. Down The Up Ladder
7. Control
8. No Strata
9. Uli

Chico Fellini will be released to the world Tuesday, March 24th and the band is having their CD Release Party at The Dame in downtown Lexington tonight, Saturday, March 21st!

Chico Fellini with Jupiter One and Oblio
Saturday, March 21st
At The Dame
156 West Main St.
Lexington, KY 40507
Doors at 8 p.m.
Show at 9 p.m.
$6
21+
Facebook event

The hills of Kentucky...

Dickie Haydon - Hunger Pangs EP review

To look at Dickie Haydon, with his shaggy hair and pointy-toed boots, you might think he would be writing songs that sounded more like Bishop Allen or Rogue Wave than oh, say… Willie Nelson, but you would be mistaken. Having lived in Lexington since he was 4, Haydon considers himself a bona-fide Kentuckian and has always been quick to cite the Bluegrass as being one of his greatest inspirations.

Haydon is also the primary songwriter in band Petticoat, Petticoat, which also includes Kristin Messina and Jackson Silvanik. While the music of P,P and Haydon’s solo fare are unquestionably the product of the same mind, it’s easy to see why they are two separate projects for the man. The songs on Haydon’s debut solo EP, Hunger Pangs, range from the exceptionally personal (“Tabitha,” an ode to Haydon’s beloved doggie that recently passed away) to those storytelling songs that invoke images of times long ago.

It’s the intimacy of these songs that ultimately make them so alluring; Haydon is first and foremost a writer, a poet even. The words and the cadence with which he sings them are what catches the listener’s ear and makes them long to listen again. Every one of Hunger Pangs’ six songs has a beautiful nostalgic air about it, and no one can resist a bit of heartwarming wistfulness.

Fetch a copy of Hunger Pangs, with artwork by Kristin Messina, at CD Central or directly from the artist.

Tracklist:
1. Little Red Canteen
2. Miles
3. The Girl With Leather Teeth
4. Tabitha
5. Do You Truly Believe In Us??
6. No One Will Know My Name

Check out Dickie's myspace page for 5/6 songs from the EP and, while you're at it, check out
Petticoat, Petticoat's page as well.

It'll blow your mind away.

Noisycrane - Portmanteau album review

Noisycrane has evolved a lot over the past year; it started as the solo endeavor of lead singer/guitarist Cody Swanson, but soon grew with the accretion of Sean Rose on drums and Jon-Austin Tharpe on bass. In the early days of the band, with Swanson and Rose performing as a duet, they sweated post-punk rawness, but with additions to the band and the natural evolution of their combined songwriting, it has become clear that where there has always been depth, there is also a degree of inherent sophistication as well. The band’s self-recorded and produced debut album, Portmanteau, is proof of that.

“Carnival,” the album’s shortest and only instrumental track, features accordions, xylophones, and saws all singing together, embracing just the right amount of whimsy and mischief. “123” is a prime example of a band at their best; the music and vocals compliment one another perfectly and the d.i.y. production seems to lend itself perfectly to the tone of this specific song. Throughout the ten tracks on Portmanteau, Noisycrane has illustrated that music doesn’t have to be insufferable to be interesting! Far from it, in fact.

Portmanteau is for sale at CD Central and at noisycrane.com.

Tracklist:
1. Trust The Moon
2. I'm Walking Through The Room And You're Asleep
3. Carnival
4. Hold Out Love
5. Room Alone
6. Your Shape
7. Walking And Stalking
8. 123
9. You Are Royalty
10. Smooth And Calm

Check the band's myspace page for musical samples.

Do do do do do doooooo

The High Water Marks - Polar album review

It’s been three years since The High Water Marks’ debut album Songs About The Ocean was released; at long last the follow up, Polar, is finally here. The disc is 13 tracks long and is being brought to you by Athens, GA label Happy Happy Birthday To Me Records.

Anyone who has ever heard the band before knows what they’re all about, the hook-laden, guitar-driven, bouncy pop tune. Polar delivers all that and more.

The fact that all four of the band members were involved in the recording process adds an obvious dynamic in the songs that some on SATO seemed to be missing. Per Ole Bratset and Hilarie Sidney both seem more comfortable in their singing here than ever before, regardless of which of them is taking the lead. Check “Galaxy Galaxy Galaxy” for a wonderful example of a pop band at their best, with everyone shining.

While Polar is ultimately following in the footsteps of its predecessor, it is also breaking a lot of new ground for the band with the slicker, more hi-fi recordings, and further incorporation of delightful alternative instruments.

Check out the band's myspace page for a preview of the title track and pick up your own copy of Polar at hhbtm.com.

Tracklist:
1. Polar
2. The Leaves
3. Early Fall
4. Song For Emigrants
5. Simple
6. Galaxy Galaxy Galaxy
7. Finding Clovers
8. Dutch Tape
9. Roadside Revival
10. Poison Remedy
11. For Sirkel
12. Sirkel
13. Etter Sirkel

Put on my worried shoes...

Daniel Smith & Sufjan Stevens - "Worried Shoes" song review


“Worried Shoes” originally appeared on Daniel Johnston’s 1983 album Yip/Jump Music. During the period of this recording, Johnston would sit in his room, hit record on his tape deck and start playing. He recorded every tape live; there was no dubbing and certainly no editing. Obviously, the quality of these recordings is awful; it’s so lo-fi that my spoiled ears can barely make out Johnston’s song and on this track in particular the only accompanying instrument is some sort of primitive chord organ. Yet, the song prevails despite its many disadvantages. The raw emotion of Johnston’s lyrics cuts through all of the fuzz and is truly impressive.
Knowing Johnston’s history and struggles with mental illness, I can only assume he wrote this song from a personal perspective. “Worried Shoes” is a sad and desperate song, which illustrates his helplessness in going down a road he knew was going to be detrimental and unpleasant but simply being unable to stop himself. It wasn’t until Johnston found himself in a hopeless position, with no friends and no one to turn to that he literally sees a ray of hope. “I looked around and I saw the sun shining down and I took off my worried shoes.” The song ultimately ends on a positive note with Johnston declaring, “I've got a lot of walking to do and I don't want to wear my worried shoes.” With the subsequent organ gaining momentum and a round of whistling, you almost believe him.
Daniel Smith and Sufjan Stevens’ cover of “Worried Shoes” is quite beautiful as well but succeeds in a separate manner. The two have added some beautiful and interesting instrumentation (no surprise there) and appropriately understated vocal work; the harmonies on the backing vocals are breathtaking. The uniqueness of Smith’s vocals really mimics Johnston’s in a way. It draws that extra attention to the vocals and makes the song more interesting. With their advancements “Worried Shoes” has really been elevated to a completely different level. They have basically made the song into the best it could have been if performed by someone other than Daniel Johnston. Smith and Stevens could never hope to achieve the emotional greatness of Johnston but have really succeeded in developing the technical aspects of the song.
Smith and Stevens’ cover of “Worried Shoes” is going to be featured on I Killed The Monster, a compilation of 21 artists covering songs of Daniel Johnston. Second Shimmy Records will release the compilation on October 10th, 2006; all proceeds from the disc will go to a fund for the care of Daniel Johnston. Until then, the track can be streamed strictly through Danielson’s myspace page.


Stream "Worried Shoes" at Danielson's myspace page.

Make me armored for the places I've been.

Scourge Of The Sea – Make Me Armored review
4 out of 5


Scourge of the Sea formed in 2004 and is comprised of Justin Craig, Andrew English and Robbie Cosenza. With their debut album, Make Me Armored, they single-handedly inspired the legendary Alias Records (American Music Club, Archers of Loaf, Yo La Tengo, etc) to awake from their slumber and release their first album in a decade.

Make Me Armored was released late last month and has since topped their local independent music stores’ bestseller lists week after week. I don’t know if it’s their modest, but not too precious pop songs, or the fact that they are very cute and charming fellows, but everyone loves to support these guys. The album features 10 finely tuned pop songs ranging from the slightly delicate “Waterwings”, the light and folky “Hookers”, to some harder fare with “Chocolate Chips”. “Chasing Roses” exemplifies English’s best vocal work and is one of the album’s most complex and intriguing songs, alternately hopeful and haunting. The vocal and guitar melodies contained within the song are perfectly complimentary and are so seamless that your ears will be smiling for days after listening to this song.

The songs are all arranged beautifully with complimenting tambourine hits and intriguing keyboard melodies in addition to the traditional drum, bass and guitars. The instrumentation on this album sounds so well put-together and the arrangements just make so much sense that it’s hard to believe these songs haven’t existed for thousands of years already. In addition, the lyrical abilities of these guys are infinite. What really catches my ear and warms my heart is when I hear English sing tender words like “I don’t need to smoke with a fix like you”, “…and I loved your lips on your overbite” or when Cosenza mentions his “waterwings and a cable knit sweater”.

With such striking imagery and coordinating harmonies, Scourge of the Sea may be putting bands like the Fruit Bats out of work.

English and Cosenza alternate writing credits and vocals, each singing lead on their own creations. English tends to take his listeners by the hand and sing in their ears while Cosenza seems as content standing in a corner yelling at the top of his lungs. Cosenza’s songs are not as intimate as English’s but certainly no less heartfelt. Showcasing two such different vocalists adds a layer of significance and versatility to the band as a whole; they aren’t limited one type of vocal. It’s almost as if they can be two bands in one, which only makes listening to them that much more interesting.

Scourge of the Sea - Out of the Trash
Scourge of the Sea - Smitten Kitten

Hooray for Sunday

The Minders and Marbles
The Dame in Lexington, KY
8.20.2006


Robert Schneider has been releasing material under the Marbles moniker since 1992; this is hardly a new endeavor. Schneider’s last Marbles release, Expo, came out in March of 2005 after which he did a nationwide tour with Clem Snide showcasing his newest brand of Casio-infused, ELO-inspired, dancetastic music across the land. These shows were being played specifically in support of the new album and there was an entire choreographed stage show that included Schneider performing as a spaceman with a giant boombox and essentially karaoking to his own songs. However, the show at The Dame on Sunday night was different; there was no new album to perform and no expectations placed on Schneider apart from warming the audience and readying the stage for old friends The Minders.

Schneider played an acoustic set of songs that ranged from the Apples’ debut album Fun Trick Noisemaker, the only other Marbles album Pyramid Landing (And other favorites), to the upcoming and highly-anticipated Apples release New Magnetic Wonder. I’ve seen Schneider perform many times, with all of his various endeavors but I have never seen a more comprehensive set. It was a wonderful treat to hear “Tidal Wave” and “She’s Just Like Me” sung onstage; I’m impressed Schneider still remembers them. I imagine such a low-stress show really gave him the freedom to play whatever he wanted to. In fact, many of the songs he did play were requests or suggestions from the audience; Martyn Leaper himself requested “Pine Away”.

Schneider is indeed a true performer; he never fails to entertain, not even when he stops mid-set to check his text messages.


Headlining the show was the Denver, CO based band The Minders. The Minders are close friends of Robert Schneider and, in fact, Schneider was sort of a founding member of the band. He was there from the get go and has been involved with the band, producing albums/songs, and contributing musically since its creation. The Minders produce exactly the kind of sounds that pop into one’s head when they think of the Elephant 6 collective. Googley-woogely pop goodness, with an obvious 60’s psychadelia influence. Martyn Leaper, the band’s premiere singer songwriter, has a great sense of melody and structure. His songs flow perfectly, with a mysterious lead guitar tone or a piano integrated at just the perfect moment, just the right amount of flare. The Minders’ new album It’s a Bright, Guilty World finds the band at the closest they’ve ever come to living up to their seminal debut Hooray For Tuesday, the pop album that is so perfect that not even its creators can top it.


The band’s performance was a perfect representation of their sound altogether. High energy, bouncing around, and all the stuff that makes you want to dance it! The set primarily featured songs from the new album but also included some extra surprises like a cover of the Syd Barrett song “Lucifer Sam” (from Pink Floyd’s Piper at the Gates of Dawn), “Now I Can Smile” and the show’s closer “Hooray For Tuesday”. The band itself is very tight and they seemed well rehearsed, which is pretty par for the course considering they’ve been touring with Of Montreal for the past month, playing in a new city every night. Leaper invited Robert Schneider onstage to play two songs with the band, the fuzz guitar track “357” and the classic “Hooray For Tuesday”. Both times Schneider was playing with the band it was evident how happy they all made each other; they seemed to be simply rejoicing in one another’s sheer presence. By the end of “Hooray For Tuesday”, on which Schneider assisted on tambourine and filling in the backing vocals, which he himself sang on the recording, it seemed that the band didn’t want to get off the stage any more than we wanted them to. It was an elating experience.